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Rhodia Touch Double Accordion Watercolour Book A6 Portrait

Rhodia Touch Double Accordion Watercolour Book | A6 Portrait, Cold Pressed Paper

A watercolour book that unfolds instead of turning pages. The Rhodia Touch Double Accordion Watercolour Book holds 16 sheets of 300gsm cold pressed cotton paper that concertina out in two directions, giving you a continuous 32-page surface to work across rather than a series of separate spreads. It's a format built with plein air painters and sketchbook travellers in mind, where you want to lay out a scene, a study, or a string of small sketches without stopping to flip anywhere.

Paper that's made for watercolour, not just tolerant of it
The paper is Fontaine 100% cotton, milled in the Netherlands and cold pressed to a texture with real tooth. That surface does two jobs at once: it holds pigment where you put it rather than letting washes slide, and it stands up to lifting, scrubbing and repeated layers without pilling or going soft underneath the brush. At 300gsm, the paper has enough weight to take wet washes without heavy buckling, though as with any watercolour block under this weight, taping the edges or working in sections will help keep it flat if you're laying down a lot of water.

Built to survive a bag, not just a desk
The cover is a black fabric hardback with the Rhodia Touch logo embossed into the front, and it closes with an elastic band to keep the accordion folded shut and the pages protected when it's not in use. It's a book designed to go in a satchel or a coat pocket, get pulled out on a train platform or a café table, and come home in one piece.

At a glance

  • 300gsm Fontaine cold pressed watercolour paper, 100% cotton, made in the Netherlands
  • Double accordion format: 16 sheets fold out in two directions for 32 usable pages
  • A6 portrait format (105 x 148mm)
  • Hardback cover in black printed fabric
  • Elastic closure to keep the book secure in transit
  • Rhodia Touch logo embossed on the front cover
  • Suited to watercolour, gouache, ink and mixed media work

Whether you're filling it page by page or unfolding the whole thing to work across one long panorama, this is a book that holds up to how watercolourists actually work outside the studio.

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